George Mikes and The English Language


When I came to England I thought I knew English fairly well. In Budapest my English proved quite sufficient. On arrival in this country I found that Budapest English was quite different from London English. I should not like to seem biased, but I found Budapest English much better in many ways.
In England I found two difficulties. First: I did not understand people, and secondly: they did not understand me. In the first week I picked up a tolerable working knowledge of the language and the next seven years completely convinced me that I would never know it really well, let alone perfectly. Take the 500 basic words that you are supposed to know if you want to survive in Britain. Well, they are far from being the whole vocabulary of the language, as you might expect, but unfortunately you may learn another 500, and another 5000, and yet another 50000 and still you may come across a further 50000 you have never heard of before, and nobody else either.
If you live here long enough you will find out to your great surprise that the adjective nice is not the only adjective that the language possesses, in spite of the fact that in the first three years you do not need to learn or use any other adjectives. You can say that the weather is nice, a restaurant is nice, Mr Soandso is nice, Mrs Soandso’s clothes are nice, you had a nice time, and all this will be very nice.
Then you have to decide on your accent. The easiest way to give the impression of having a good accent or no foreign accent at all is to hold an unlit pipe in your mouth, to mutter between your teeth and finish all your sentences with the question: “isn’t it?” : People will not understand much, but they are used to it and they will get the most excellent impression. Finally, do not forget that it is much easier to write in English than to speak in English because you can write without a foreign accent.
Many foreigners who have learnt Latin and Greek in school soon discover with great satisfaction that the English language has absorbed an enormous amount of ancient Latin and Greek expressions, and they realize that a) it is much easier to learn these expressions than the equivalent English words; b) that these words are usually interminably long and make a simply superb impression when talking to the greengrocer or the milkman because they will be very proud of having such a highly cultured person as a customer.
The first step in my progress was when people started understanding me while I still could not understand them. This was the most talkative period of my life. Trying to hide my limits, I went on talking, keeping the conversation as unilateral as possible.
The next stage was when I began to understand foreigners but not the English or the Americans. The more atrocious a foreign accent someone had, the clearer he sounded to me.
But time passed and my knowledge and understanding of English grew slowly. Until the time came when I began to be very proud of my knowledge of English. Luckily, every now and then one goes through a sobering experience which teaches one to be more humble. Some years ago my mother came here from Hungary on a visit. She expressed her wish to take English lessons and I accompanied her to a school. I enquired about the various classes and said that I was interested in a class for beginners. I received all the necessary information and conducted a lengthy conversation with the receptionist, in the belief that my English sounded vigorous and idiomatic. Finally, I paid the fees for my mother. She looked at me with astonishment and asked: “Only for one? And what about you?”
From How to Be an Alien by George Mikes

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About Carl William Brown

I'm Carl William Brown a holistic teacher, webmaster, trader, and a writer of aphorisms and essays. I have written more than 9,000 original quotations and at present I'm working at my only novel, Fort Attack, which is also a wide and open blog project. I have done a lot of other things as well, both in business, educational, sport and social fields and in 1997 I founded the Daimon Club Organization to promote literature, culture and creativity.
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